Who is a "mad woman" away from those who made her that way? Lady Macbeth and Ophelia, two of Shakespeare's most iconic female characters, begin their stories as women of status; they are well-loved, but not well understood by the people in their lives.

Each has a moment offstage, unseen and unheard, a turning point: a moment of solitude that changes everything, a moment audiences seldom get to see. Daughters, Wives, Mothers examines what womanhood and girlhood mean through the lenses of Lady Macbeth and Ophelia in a single unobserved, “mad” moment. Who could they have been with a real, loving community? With real, loving mothers? And how have they survived up until this point?

For FAQs from audiences including info on our COVID safety (masks required for the first matinee performance of nearly every show), venue locations, parking, and more - visit our FAQ section here!